RAYMOND SAUNDERS New Work October 1 - November 22, 2003 BIOGRAPHY PRESS RELEASE |
|
Raymond Saunders’ masterfully constructed assemblages have a fresh and spontaneous quality that juxtaposes words and images from world culture with his personal artistic interests and preoccupations. Saunders’ keen sense of composition, form, and texture is balanced by his erudite use of color. His surfaces are spattered with expressionistic swaths of paint, richly colored, with delicately drawn figures, or inscribed with chalked words, names, and numbers. Saunders often uses materials from daily life such as handbills, comics, signs, old doors, which he has culled from his frequent travels. There is an abundance of invented and appropriated imagery and iconography which reference race, war, family, religion, poverty, wealth, people, and places amongst other subject matter. His powerful paintings and fluid spirited compositions combine to give the works a dense and engrossing narrative power. Excerpt from essay by Glenn O’Brien in the catalogue for Raymond Saunders/ Jean-Michel Basquiat, exhibition at Galerie Sho, Tokyo, Japan, 2003. |